Portal:Poetry

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Welcome to the Poetry Portal

The first lines of the Iliad
The first lines of the Iliad
Great Seal Script character for poetry, ancient China
Great Seal Script character for poetry, ancient China

Poetry (a term derived from the Greek word poiesis, "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.

Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language.

Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing as well as from religious hymns (the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); or from a need to retell oral epics, as with the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey. (Full article...)

Selected article

"The Raven" is a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. The lover, often identified as being a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further instigate his distress with its constant repetition of the word "Nevermore". The poem makes use of a number of folk and classical references.

Poe claimed to have written the poem very logically and methodically, intending to create a poem that would appeal to both critical and popular tastes, as he explained in his 1846 follow-up essay "The Philosophy of Composition". The poem was inspired in part by a talking raven in the novel Barnaby Rudge: A Tale of the Riots of 'Eighty by Charles Dickens. Poe borrows the complex rhythm and meter of Elizabeth Barrett's poem "Lady Geraldine's Courtship", and makes use of internal rhyme as well as alliteration throughout.

"The Raven" was first attributed to Poe in print in the New York Evening Mirror on January 29, 1845. Its publication made Poe widely popular in his lifetime, although it did not bring him much financial success. Soon reprinted, parodied, and illustrated, critical opinion is divided as to the poem's status, but it nevertheless remains one of the most famous poems ever written. (Full article...)

Selected image

American poet Mei-mei Berssenbrugge (1975)
image credit: Nancy Wong

Poetry WikiProject

Charles Baudelaire
Charles Baudelaire
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Selected biography

Mathnavi by Rumi
Mathnavi by Rumi
Jalāl ad-Dīn Muhammad Balkhī (Persian: جلال‌الدین محمد بلخى), also known as Jalāl ad-Dīn Muhammad Rūmī (جلال‌الدین محمد رومی), Mevlana or Mawlānā (مولانا, meaning Our Master), Mevlevi or Mawlawī (مولوی, meaning My Master), and more popularly in the English-speaking world simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century Persian poet, jurist, theologian, and Sufi mystic. Rumi's importance is considered to transcend national and ethnic borders. Iranians, Turks, Afghans, Tajiks, and other Central Asian Muslims as well as the Muslims of South Asia have greatly appreciated his spiritual legacy in the past seven centuries. His poems have been widely translated into many of the world's languages and transposed into various formats. He has been described as the "most popular poet in America" and the "best selling poet in the US". (Full article...)

Selected poem

A Mountain Home by Heinrich Heine

On the mountain stands the shieling,
    Where the good old miner dwells;
Green firs rustle, and the moonbeams
    Gild the mountain heights and fells.

In the shieling stands an armchair,
    Carven quaint and cunningly;
Happy he who rests within it,
    And that happy guest am I.

On the footstool sits the lassie,
    Leans upon my lap her head;
Eyes of blue, twin stars in heaven,
    Mouth as any rosebud red.

And the blue eyes gaze upon me,
    Limpid, large as midnight skies;
And the lily finger archly
    On the opening rosebud lies.

"No, the mother cannot see us –
    At her wheel she spins away;
Father hears not-he is singing
    To the zitter that old lay."

So the little maiden whispers,
    Softly, that none else may hear,
Whispers her profoundest secrets
    Unmistrusting in my ear.

Now that auntie's dead, we cannot
    Go again to Goslar, where
People flock to see the shooting:
    'Tis as merry as a fair.

And up here it's lonely, lonely,
    On the mountain bleak and drear;
For the snow lies deep in winter;
    We are buried half the year.

And, you know, I'm such a coward,
    Frightened like a very child
At the wicked mountain spirits,
    Goblins who by night run wild."

Suddenly the sweet voice ceases;
    Startled with a strange surprise
At her own words straight the maiden
    Covers with both hands her eyes.

Louder outdoors moans the fir-tree,
    And the wheel goes whirring round;
Snatches of the song come wafted
    With the zitter's fitful sound.

Fear not, pretty one, nor tremble
    At the evil spirits' might;
Angels, dearest child, are keeping
    Watch around thee day and night.

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