Here and Elsewhere

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Here and Elsewhere
Directed byJean-Luc Godard
Jean-Pierre Gorin
Anne-Marie Miéville
Written byJean-Luc Godard
Jean-Pierre Gorin
Anne-Marie Miéville
Produced byJean-Luc Godard
Anne-Marie Miéville
Jean-Pierre Rassam
Narrated byJean-Luc Godard
CinematographyWilliam Lubtchansky
Edited byAnne-Marie Miéville
Music byJean Schwarz
Distributed bySociété des Etablissements L. Gaumont
Release date
  • 1976 (1976)
Running time
53 min
CountryFrance
LanguageFrench

Here and Elsewhere (French: Ici et Ailleurs) is a 1976 documentary film by Jean-Luc Godard and Anne-Marie Miéville. It is a film essay, narrated by Godard and Miéville, which began as a film entitled Jusqu'à la victoire, undertaken by the Dziga Vertov Group, the partnership of Godard and Jean-Pierre Gorin who together made a number of political, pro-Marxist films between 1968 and 1972.

Here and Elsewhere incorporates footage of Palestinian fedayeen (resistance fighters) taken for Jusqu'à la victoire, which had been commissioned by The Arab League in Paris. Jusqu'à la victoire was abandoned after most of its subjects were killed several months after filming by Jordanian forces, backed by the US CIA and the UK government, as part of the 1970 Black September effort by Jordan to eliminate the fedayeen taken in after the 1967 war with Israel, due to their left-wing challenge to the monarchy and call for democracy in Jordan.[1] Here and Elsewhere, using footage shot by the Dziga Vertov Group, as well as new footage shot after the abandonment of the first film, takes its name from the contrasting footage it shows of the fedayeen and of a French family at home.

The film shows footage of the Fedayeen training in military, educational, and cultural activities, including women and children ; Although the film has a few self-critiques - Miéville states in a voiceover that a woman filmed talking about committing her child to the revolutionary cause was in fact not pregnant at the time - primarily the film is a criticism of how capitalism's use of media distorts the aims of liberative and revolutionary causes, among other aspects of economic and social disparaties.[2]

Ici et Ailleurs marks the beginning of Godard's transitional period, which found him experimenting in very original ways with video, and political and representational polemics; as such, it shares many of the traits of both his radical-era films and the video-centered work that followed. It is also one of his first projects with Miéville, who remained the major collaborator in his life and work since that period.

References[edit]

  1. ^ "HERE AND ELSEWHERE + ALL IS WELL ON THE BORDER". George Eastman Museum.
  2. ^ "Ici et ailleurs". International Documentary Film Festival Amsterdam.

External links[edit]